geschichte.transnational

Fachforum zur Geschichte des kulturellen Transfers und der transnationalen Verflechtungen in Europa und der Welt

[deutsch] [english] [français]

 
Geschichte.transnational
Anmeldung
Chancen
Forum
  Artikel
  Diskussionen
Projektankündigungen
Rezensionen
Tagungsberichte
Termine
Websites
Zeitschriftenschau
Impressum
Sitemap

Das Historische Buch 2004


Julia Angster
Ronald G. Asch
Jan C. Behrends
Kai Brodersen
Susanna Burghartz
Sebastian Conrad
Josef Ehmer
Jacques Ehrenfreund
Joachim Eibach
Andreas Fahrmeir
Norbert Finzsch
Etienne François
Mary Fulbrook
Peter Funke
Martin H. Geyer
Dieter Gosewinkel
Abigail Green
Rebekka Habermas
Johannes Helmrath
Manfred Hettling
Hartmut Kaelble
Martina Kaller-Dietrich
Jürgen Kocka
Birthe Kundrus
Karl Christian Lammers
Achim Landwehr
Ursula Lehmkuhl
Chris Lorenz
Mischa Meier
Pierre Monnet
Olaf Mörke
Igor Narskij
Dietmar Neutatz
Wilfried Nippel
Marek Jan Olbrycht
Ilaria Porciani
Stefan Rebenich
Folker Reichert
Frank Rexroth
Adelheid von Saldern
Tanja S. Scheer
Wolfgang Schmale
Hubertus Seibert
Hannes Siegrist
Barbara Stollberg-Rilinger
Claudia Tiersch
István György Tóth
Beate Wagner-Hasel
Dorothee Wierling
Michael Wildt
Michael Zeuske
Claudia Zey

Tim Blanning

Cambridge University

Vita

Tim Blanning's research interests are focused on the history of continental Europe in the period 1660-1914. His early work concentrated on the Holy Roman Empire and the Habsburg Monarchy during the eighteenth century and he retains a strong interest in this area. During the 1980s and 1990s his focus moved westwards to France during the Revolution, especially to its foreign policy and its interaction with the rest of Europe. A particular interest has been the reaction the revolutionaries' missionising campaigns to convert the rest of Europe to the principles of liberty, fraternity and equality. Most recently, he has concentrated on the high culture of Europe and its relationship to state power, which resulted in his prize-winning study The culture of power and power of culture 1660-1789. He is currently working on why music progressed from subordinate status in the early modern period to its present position of supremacy among the creative arts. He is also planning a fundamental revision of the way in which Richard Wagner and his works relate to the politics and culture of nineteenth century Europe. He is also the general editor of The Oxford History of Modern Europe and of The Short Oxford History of Europe, editing personally the volumes on the eighteenth and nineteenth centuries in the latter series. He has been a Fellow of the British Academy since 1990.

Homepage: http://www.hist.cam.ac.uk/academic_staff/further_details/blanning.html


suchen